Friday May 21th. | KL. 15.15-16.15 | Radisson Blu

THE REAL DEAL – UK MANAGERS – DANISH ARTISTS
How do managers work in the world's arguably most important - and competitive - music market?
What's so special about Tina Dickow, Mew, and Kellermensch, that top-notch UK managers bother to take them under their wings?
What are the key ingredients to a non-UK Artist (possibly) making it in the UK?

Jonathan Morley
Jonathan Morley began his management career when he attended SPOT in 2000. There, he met Tina Dickow, and they’ve been working together ever since. He also manages Kate Walsh (who is still the only unsigned artist ever to top the iTunes Album Chart in the UK), Charlene Soraia, and
another Danish act – Hush.

Tim Hole

Managing Director of Audio Authority Management. Established to handle the careers of a roster of Record Producers, Audio Authority has expanded to include Artist Management (including Danish art-rockers Kellermensch) and Executive Production. Having also worked in the A&R departments of Warner Bros. and Universal his experience of the modern music industry is well established.

Stephen King
Stephen King has more than 30 years of senior industry experience in the artist management field. He founded Ricochet management in 1980, where he represented artists such as The Lighthouse Family, Dina Carroll, Urban Species, Incognito, and many more.
In 2002, Stephen formed Creation Management with Alan McGee. A music management group widely acknowledged to be one of the most amongst its competitors, with an impressive roster including Mogwai, The Libertines, Dirty Pretty Things,The Kills and Mew

Moderator: Keith Harris
UK Music Industry veteran: Currently Director of Performer Affairs for PPL, Chairman of Musictank, Lecrurer at University of Westminster. Long time representative for Stevie Wonder.
UK Music Industry veteran: Currently he is Director of Performer Affairs fo PPL, Chairman of Musictank, Lecrurer at University of Westminster. Long time representative for Stevie Wonder